On the screen of a square sheet of frosted glass as if it were a focusing glass in a camera are projected different images from both sides, and the audience see the images projected on the other side. A silhouette made by someone passing before the images is not seen on this side, but observed on the other side. By this two-way projection, the screen is not a mere space for reproduction of images, but a "membrane," as interface. Projected series of images shot by DV (digital video) camera with electronic high-speed shutter at 1/10000 second, and each digital images shown per 1/30 second. One projection is a close-up of a scenery taken from a car moving at a high speed, and the other subject is cut images of a human body by moving shot. The images are not what physical eyesight perceives but what can be caught only by "electronic eyes" and reduced to visible analog signals. They are "silent and crazy images (Takatani)" severed at a high speed by means of technology, and they penetrate our eyes as whiteout. Sound is in tandem with the changing memory counters on the four sides of the screen, and stops at random to cut off the time element in images.

(Kazunao ABE, Yukiko SHIKATA / ARTLAB Special Exhibition 1998)